THERE'S ABSOLUTELY NO REASON FOR US TO DO SO - I RECALL WHEN I HAD VISITED EL PASO, TX AFTER MY MOTHER'S DEMISE, SOMEONE TELLING ME HOW THE MEXICAN WORKERS WOULD CROSS THE BORDER THAT DEVIDED MEXICO AND THE UNITED STATES...SO THESE OVER POPULATED FOLLOWERS OF , "VIVA ZAPATA" WOULD GET PAID IN AMERICA - BY AMERICANS AND CROSS BACK INTO THEIR PLACE OF ORIGIN TO SPEND THEIR MONEY EARNED IN AMERICA...
THE BLACK MAID SERVICE AT THE MONTECEITO HOTEL WHEN I WAS LIVING THERE QUESTIONED ME ABOUT HAVING MORE CHILDREN AND WHEN I HAD STATED, "ONE IS ENOUGH BECAUSE I GOT IT RIGHT THE FIRST TIME", HER RETORT, "YOU'RE SELFISH!"
SHE MUST HAVE HEARD MY THOUGHTS, WHAT BUSINESS IS IT OF YOURS? SHE SHUFFLED PAPERS OF MY NOVEL, "THE GOD LADY"...
SO THE MONTECEITO HAD ACCESS - GENE THE MANAGER, AND FRIEND OF SYBIL,(IS THAT SYBIL SHEPHERD OR SYBIL BRAND WOMEN'S PRISON WHERE I HAD BEEN BROUGHT AFTER MY BEATING AT PARK LABREA ON FULLER) SYBIL, A BRIT, WHO I HAD ORIGINALLY THOUGHT MIGHT BE APPROPRIATE FOR MY SONG I'D WRITTEN, TITLED, "THIS DEAR FRIEND OF MIND", WHICH I'VE DECIDED THAT I WOULD LIKE TO SING THE SONG MYSELF, ALSO THE OWNER OF THE MONTECEITO CAME AROUND NOW AND AGAIN, LIKE "AL NO" CURRENTLY DRIVING AN ORANGE WHITE VINYL HARD TOP CADILLAC...AND "AL NO" WANTED TO GET RID OF ME, I SUSPECTED REMEMBERING HIM SAYING, "I NEED SOMEONE THAT I CAN BE PASSIONATE FOR"...REALIZING NOW THAT THIS WAS PART OF THE RUSE, TO BELITTLE A STAR AS QUICKLY AS POSSIBLE, PARTICULARLY IF SHE WAS AN UNMARRIED FEMALE WITH ASSETS, AND ON TOP OF THAT IF SHE WAS BLACK, AS JET MAGAZINE LIKED TO TOUT ON THE FRONT COVER OF JET, SHAFT, BLACK EXPLOITATION FILM, WITH ME BEING THE COLOR BLIND CO STAR...NEVER DID UNDERSTAND THAT ONE, BECAUSE WHEN A GREEN LIGHT TURNS RED, THAT'S WHAT I SEE, NOT THE GREY COLOR IF I WERE ACTUALLY COLOR BLIND. STILL WAITING FOR THE OVER PAYMENT FROM THE JET MOTEL, THAT I HAVE YET TO RECEIVE.
THIS IS SENSED BECAUSE I WAS NO LONGER THE "PRIZE" FROM NEW YORK - THE "IT" GIRL AS THE FEMALE LEAD IN "SHAFT'S BIG SCORE" THE ORIGINAL ACTION FILM ABOUT THE "PRIVATE DICK" WHO WAS UNDERSTOOD ONLY BY HIS WOMAN - MY CHARACTER - "ELLIE" MUSIC BY OSCAR WINNER ISAAC HAYES FOR BEST MUSICAL SCORE, DIRECTED BY GORDON PARKS SR, WHILE GORDON'S SON "DAVID" HAD DIRECTED, "SUPER FLY" MUSIC BY CURTIS MAYFIELD -
AND SUPERLY WAS ABOUT A DRUG PUSHER - AND SHAFT WAS SUPPOSE TO BE ON THE RIGHT SIDE OF THE LAW - THEY SOLD IT AS A BLACK JAMES BOND, FAR FROM ACCURATE, JUST FROM THE BUDGET STAND POINT, SHAFT WAS MADE FOR ONE MILLION DOLLARS, AND THEY STILL OWE ME MONEY FROM THAT FILM, IN RESIDUALS, ETC.
SO THE "WAR WITHIN WARS", (C)COPYRIGHTED BY GWEN MITCHELL IN MARCH 1, 2016, APPROXIMATELY) WAS AGAIN BETWEEN GOOD OVER EVIL - "JOHN SHAFT" THE FLAT FOOTED BLACK DETECTIVE - "THE SEX MACHINE" WHO WOULD BE EXEMPT FROM SERVING IN THE MILITARY AT THE TIME, 1972 -
AND WHAT I DIDN'T KNOW AT THE TIME WAS THAT MY CHARACTER "ELLIE" WAS COMPETING , IN THE WAR WITHIN WARS, WITH THE ACTRESS WHO WAS FON O'NEILS LOVE INTEREST IN SUPER-FLY - SHELIA FRAZIER...
MY INTERPRETATION IS THAT GWEN MITCHELL'S RESIDUALS WENT TO SHERRI BREWER, THE ACTRESS WHO PORTRAYED THE DAUGHTER OF THE CHARACTER PLAYED BY MOSES GUNN - A MOBSTER WHO OVERACTED HIS GRIEF SCENE, IN MY OPINION FOR HIS MISSING DAUGHTER - PLAYING THE GRIEF STRICKEN FATHER ON TWO LEVELS, ONE AS A PRETEND FATHER FOR THE AUDIENCE, BLOWING HIS NOSE INTO A CLEAN HANKY...WHY? BECAUSE IN THIS ONE SCENE IT REVEALED WHAT BLACK MEN IN GENERAL WERE DOING WITH THEIR DAUGHTERS...PIMPING THEM - WHICH IS WHY THE LOOK OF SLYNESS DIRECTED TO SHAFT FROM MOSES GUN'S CHARACTER WAS OBIOUSLY UNREAL...IN TRIBUTE OF THE NOTHING IS REAL WORLD.
AND HOW INTERESTING THAT SHERRI BREWER WHO I SAW RECENTLY WHEN I HAD STAYED AT THE BRONX LEBANON HOSPITAL DOING RESEARCH, AND SHE WAS TOLD BY THE STAFF, NOT TO COME BACK FOR AT LEAST, "TWO YEARS" AND AT THAT SAME HOSPITAL I SAW "JAMIE FOX" NOT LOOKING QUITE HIMSELF, AND A WHITE SOUTH AFRICAN CHICKEN FARMER WHO I BELIEVE HAS BEEN HIDING OUT IN AMERICA, AFTER BEING THE HENCHMAN WHO PARTOOK IN MY FATHER'S BOTCHED SURGERY BY INDIVIDUALS WHO WERE ONLY "PRACTISING" MEDICINE...AND WERE NOT SKILLED IN REMOVING HIS LEFT LUNG, NOR, SKILLED IN INSERTING A TOO LARGE A HOSE EASILY VISIBLE ON THE LEFT SIDE OF HIS BACK, CREATING A HUMP, AND THE BLACK THICK THREAD THAT HELD HIS SKIN TOGETHER I AM REMINDED LATELY, FREQUENTLY...
INTERESTING, THE EXTENT OF THE DECEIT WITH ALL THE DEVIANTS CLAIMING THAT THEY DIDN'T REMEMBER SEEING ME IN THE FILM - WAS IT BECAUSE THEY HAD ALREADY SUPERIMPOSED MY CHARACTER, AND HAD ERASED ME FROM THE FILM TO GIVE THOSE UNDESERVING MY COMPENSATION FOR POLITICAL VOTES PERHAPS, OR A BRAND NEW CAR, OR, HOW ABOUT A RESTAURANT, LIKE MR. ROTTMAN IN UNIT 201, AND THESE DEVIANTS WERE BLACK FOR THE MOST PART, YET NOT EXCLUSIVELY SO - BECAUSE THEY KNEW WHAT I DIDN'T KNOW - THAT MY CHARACTER "ELLIE" WHO OWNED A BOUTIQUE IN THE WEST VILLAGE, AN INDEPENDENT BLACK WOMAN, WHO DIDN'T NEED THE SHAFT CHARCTER FOR HIS MONEY, WHICH WAS LIMITED AT BEST, BUT ALLEGEDLY, FOR THE PLEASURE OF HIS COMPANY...
TO ADD INSULT TO MY INJURY, WAS THAT SHAFT'S CHARCTER WAS DESIRED ON THE STREET BY MANY FEMALES - HENCE, THE "SEX MACHINE" AS HIS THEME SONG INDICATED- PORTRAYED AS STUD PERSONIFIED, AND I COULDN'T UNDERSTAND WHY THE SCENE WHERE HE COMES TO VISIT ME IN MY BOUTIGUE AND GORDON HAD DIRECTED "SHAFT" TO PLACE A MEXICAN HAT, NOT A SOMBRERO, ON MY HEAD, THAT IT WOULD ALLOW MEXICO TO GET A PIECE OF THE ACTION WITH ANYONE I CHOSE TO GO TO BED WITH IN MY PRIVATE LIFE, i.e. CHOSEN SURVIVORS FOR COLUMBIA PRODUCED BY "CHARLES FRIES" COLUMBIA STILL OWING ME MONEY BY THE WAY, WHEN I SPENT TIME WITH ALLEGEDLY PEDRO ARMENDEREZ'S SON, AN ARCHITECT, WHO HAD MENTIONED THAT HIS "MOTHER IS BRITISH". I WAS CONFUSED AS TO WHY HE THOUGHT THIS WAS IMPORTANT TO REVEAL TO ME, BUT NOW, KNOWING WHAT I DO NOW, HE WAS NOT SPEAKING TO ME OF COURSE, BUT TO THE HUGE LISTENING AUDIENCE.
WHY THIS TYPE OF TREATMENT? BECAUSE I DARED NOT TO BE SCREWED BY A MAN ON SCREEN WHOSE CHARACTER WAS FAR LESS THAN NOBLE TO "HIS WOMAN". AND TO ADD MORE INSULTS DIRECTED TO ME, THEY PLOPPED A CHEAP WIG ON MY HEAD, WHICH MOST BLACK STREET WALKERS AND MANY IN GENERAL ARE NONE FOR, I HAVE COME TO REALIZE SINCE THE SHOOTING OF SHAFT.
THIS IS AMERICAN FILMS UNDER THE OLD PARADIGMS, AND NOT ONLY IN AMERICA, BUT MUCH OF ALL THE FOREIGN FILM INDUSTRY AS WELL TO SATISFY I ALLEGE THE TWO FILMS BEING MADE, NECESSITATING THE TWO SETS OF BOOKS THE SO CALLED FILM EXECS SPEAK ON...THE GRATUITOUS ROLES THROWN IN TO AMUSE THE SO CALLED ACTORS, CREW, ETC WHO ONLY BECAME INTERESTED IN ACTING, NOT AS A CRAFT, BUT FOR THE SAKE OF MEETING FEMALES - WHICH IS WHY I GUESS SO MANY OF MY DATES THAT I HADN'T REALIZED AT THE TIME WERE WITH AGENTS OF WITNESS PROTECTION, AND HMSS - AND THE VARIOUS ROLES THEY PORTRAYED, PARTICULARLY OFF SCREEN - AS MY DATES - NOT REALIZING THIS AT THE TIME, THAT EVERY TIME, THAT AN TALENT AGENT, MANAGER, OR LITERARY AGENT, ALLEGEDLY REPRESENTING ME, AND MOST RECENTLY, THE PRESIDENT AND VP OF HILLSIDE GARDENS HOME OWNERS ASSOCIATION, GRAHAM MILLER, AND INGRID VAN ARNHEM, TERRY TUNDER, DAVID STEVENSON OF STEVENSON MANOR ON COLE AVE, ACROSS FROM THE JEHOVA WITNESS HALL, REPRESENTING MANY FOREIGN GOVERNMENTS INCLUDING, "JOLLY OLE" AND YES, MY DAD WOULD BUY AND POP "JOLLY TIME" POP CORN, WHICH MAY BE AVAILABLE IN MOVIE HOUSES, THOSE BIG CONTAINERS OF BUTTER, THAT PIECE OF THE ACTION GOING TO ENGLAND, AND OTHER FOREIGN NATIONS, PROVING ONCE AGAIN ,AS I HAD WRITTEN A LONG TIME AGO, IT'S NOT THE ABOVE OR BELOW THE LINE TALENT THE DEVIANTS FEEL IS IMPORTANT, IT'S ALL THE PRODUCTS, GOOD, BAD OR INDIFFERENT INCLUDING THE FLESH OF ACTRESSES AND THEIR LEADING MEN GETTING PAID BY ASSISTING IN PIMPING THEM...HOW'S THAT FOR SHOW BIZ? SO NOW I SHOULD THINK YOU KNOW WHY MY GLOBAL PLAN IS IMPORTANT ON SO MANY LEVELS...AND FOR SO MANY GOOD REASONS.
WANTING CREDIT FOR MY INTELLECTUAL PROPERTIES THAT I WROTE, AUTOMATICALLY BEING GIVEN TO THOSE WHO DIDN'T EARN IT, BECAUSE THEY ARE MALE, YET NOT EXCLUSIVELY...AND LET US NOT FORGET THE POLITICIANS AND THE RELIGIOUS, SELF-APPOINTED LEADERS AND THE ROLE THEY PLAYED IN THIS TRUE HORROR STORY...WHAT HAD HAPPENED TO RON O'NEIL, THE BLACK ACTOR, NOT SO BLACK BY THE WAY, AN ACTOR WITH THE NEC (SEE A FORMER REFERENCE TO THIS) A GOOD LOOKING BLACK MAN STAR OF SUPER FLY THE DRUG PUSHER WHO HAD APPEARED IN A FILM WITH KIRK DOUGLAS THAT TOOK PLACE ON A SUBMARINE (SEE REFERENCE TO THIS AS WELL IN A FORMER BLOG OF UNIQUE PERSPECTIVE) WHICH THE DEVIANTS MAY HAVE ATTEMPTED WITH BLACK RON O'NEIL, AS THEY ARE ATTEMPTING TO TAKE CREDIT AND SUPER IMPOSE SOMEBODY ELSE OVER MY LIKENESS SO THAT MY RESIDUALS, ACTING PENSION, SOCIAL SECURITY, ETC. WOULD GO TO THOSE NON DESERVING.
NOW THAT I'VE POINTED THIS OUT TO YOU DEVIANTS, NOW THAT YOU KNOW WHAT YOU HADN'T BEFORE, PERHAPS, YOU FEEL YOU CAN TAKE CONTROL OF MY ASSETS, INTELLECTUAL PROPERTIES, ETC. NO! NO! AND ABSOLUTELY NO!
AND WHAT ABOUT THE BATHTUB SCENE IN SUPER FLY WITH SHELIA FRAZIER, WHO I LAST SAW IN A THEATER, WHILE MY MATER LAY DYING AT CEDARS, WATCHING AN ALL BLACK CAST, WHILE WORKING FOR A VITAMIN SALES ROOM, AND THE NAME OF THE PLAY ESCAPES ME. THE BLACK MANAGER OF THE SALES ROOM, WHO WOULD STAND UP AND YELL, "BEYOUNCE" WHO KNEW NOTHING ABOUT SALES, HOW DID HE BECOME MANAGER I WONDERED. THERE WAS THE LEADING LADY OF SUPERFLY, SITTING WITH HER DATE OR HUSBAND AT ONE OF THE THEATRES NOT TOO FAR FROM MANSFIELD AVE. AND I SAW NURSE"JULIA", PLAYED BY "DC" WHO WAS ALSO IN THE AUDIENCE, AND IT APPEARED THAT NOBODY SEEMED TO WANT TO SPEAK OR KNOW ME.
SIMILAR TO WHAT HAD HAPPENED ON THE BILL COSBY COMEDY HOUR WHICH I NEVER GOT THE CREDIT FOR, PORTRAYING "MRS NEWS", "LF" I GUESS THEY WANTED TO GIVE MY CREDIT TO, WELL I GUESS SHE WAS SAMMY DAVIS'S "FRIEND", AND WHO THE HELL IS GWEN MITCHELL, BUT SOME BITCH WHO ISN'T DOING HER JOB OF FUCKING ENOUGH, SO THAT WE CAN TAKE MORE OF HER MONEY. AND WASN'T SAMMY ALLEGEDLY MARRIED TO A "BRIT" AND THAT'S WHY HIS EYE WAS SUPPOSEDLY REMOVED, LIKE SANDY DUNCAN, MY CO STAR IN ABOUT 11 UNITED AIRLINES COMMERCIALS, BECAUSE SHE WAS BEING KEPT BY HUGH O'BRIEN,(FOLLOW THE MONEY FOLKS) WHICH I ALLEGE MUCH OF MY RESIDUALS WENT TO THE WRONG PEOPLE, AS WITH THE DAYTIME SERIES, "BEST OF EVERYTHING"...AND ONCE SAMMY DECLARED BANKRUPTCY, BECAUSE OF COURSE, NO STAR PAYS FOR ANYTHING, WHICH MAKES BANKRUPTCY PRACTICAL I SUPPOSE, WHICH IS WHERE THE DEVIANTS MADE THEIR MISTAKE WITH ME, SINCE I PAID, AND PAID AND PAID TO MAKE UP FOR THOSE WHO NEVER DID, WHICH WASN'T EVEN MY PROBLEM, FOR OVER 60 YEARS!
AND THE RUMOR ABOUT ME BEING A COP, AS THEY ATTEMPTED WHEN THEY HAD SET UP MY FATHER WHO WAS A MUSICIAN AND COMPOSER, WITH THE NICKNAME OF "CAB" AND WHY DID ROBERT FIELDS TELL ME WHEN I HAD FIRST MET HIM THAT HE HAD DATED CAB CALLOWAYS GRANDDAUGHTER, I STILL WONDER WHY TO THIS DAY THAT HE WOULD TELL ME THAT AND WHO WAS LISTENING AT THE TIME, BESIDES MYSELF. I ONLY PORTRAYED A CHARACTER ON THE SPELLING-GOLDBERG TV(AARON SPELLING, WHOOPIE GOLDBERG?) SHOW,"THE ROOKIES" AND, "MOD SQUAD" (ALSO SPELLING GOLDBERG)WHICH I HAD ALSO APPEARED, WITH THE SAME PRODUCERS, SPELLING GOLDBERG, ...AND AFTER APPEARING IN "THE ROOKIES" I RECALL SOME RETAILER THE NEXT DAY CRITIQUING ME ON HOW I SHOULD HAVE PLAYED THE SCENE ON THE SHOW..."YOU SHOULA BEEN MORE SCARED" IS WHAT HE HAD STATED...I JUST SMILED- TAKING NOTE OF THE SURROUNDING THAT I WAS CURRENTLY IN AND THE CLER WHO EXPOSED HIS DISTATE FOR THESPIANS - WHICH IS ENDEMIC NOT ONLY IN HOLLYWOOD, BUT WHEREEVER THE SCENT OF A PHILLISTINE PERMEATES.
PLEASE REMEMBER MOST OF MY UNIQUE PERSPECTIVE BLOGS IS TO HELP FORMULATE AN OUTLINE FOR MY AUTOBIO, WITH WORKING TITLES,"LITTLE BITS" AND "HMSS" AND IT IS COPYRIGHTED. I WILL BE GETTING COPIES OF MY UNIQUE PERSPECTIVE BLOG IN ITS ENTIRETY FROM ONE OF THE LIBRARIES, OR OTHER SOURCES, AND PAYING FOR THE COST. MY APOLOGIES TO BILL MARR IN STATING THAT I NEEDED HIM TO GET COPIES OF MY UNIQUE PERSPECTIVE BLOG, SINCE, ALL DUE RESPECT, PERHAPS, I AM NOT A FAN OF MR. MARR, WHICH I'M SURE WILL NOT SHATTER A MOMENT IN HIS LIFE, GOOD LUCK BILL.
(C)COPYRIGHTED BY GWEN MITCHELL ON TUESDAY, OCTOBER 4FTH ON BUS 9310 THE 704 TO SANTA MONICA, AT APPROXIMATELY 11:15AM EDITED AND UPDATED AT THE SANTA MONICA PUBLIC LIBRARY, IN SANTA MONICA, CA 90410.
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