A PERSONAL REQUEST:

DEAR MR. O'BAMA, I WOULD GREATLY APPRECIATE YOU PUTTING BACK THE $160 A MONTH YOU'VE BEEN CONSISTENING TAKING FROM MY ACTING PENSION, SAG AND SAG-AFTRA. WHICH YOU BEGAN SWIPING JUST BEFORE YOU PRESUMED THE POSITION OF PRESIDENT OF THESE ALLEGED UNITED STATES. I'VE GIVEN YOU MORE THAN ENOUGH CHANCES FOR YOU TO PROVE NOT ONLY TO ME BUT THE AMERICAN PEOPLE THAT YOU ARE A MAN OF YOUR WORD. I'VE GIVEN YOU ADVICE PERTAINING TO YOUR HEALTH, BASED ON HOW YOU APPEARED ON THE COVER OF "ROLLING STONE" MAGAZINE SO I WON'T REITERATE SINCE IT ALREADY APPEARED IN "UNIQUE PERSPECTIVE". IN ADDITION, YOU AND YOUR PRETEND WIFE, "MICHELLE O'BAMA" WHO IS ACUALLY "MICHELLE ROBINSON"...COULD IT BE RELATED TO THE ROBINSON TWINS OF YONKERS WHO MOTHER HOSTED THE NAACP GATHERINGS, AND COULD THE TWIN DAUGHTERS POSSIBLY BE WINFREY CLONES, OR IS THAT TOO FAR A STRETCH. IN ADDITION I SENT YOU TWO OF MY INTELLECTUAL PROPERTIES ALONG WITH A BOUND COPY OF AN OFFERING MEMORADUM FOR THE FEATURE FILM, A ROMANTIC COMEDY, "FRANCES LOVES FRANCIS", AND THE TITLE WILL BE CHANGED TO "FRANCIS LOVES FRANCES" WITH A POSSIBLE REQUIRED REWRITE, REMEMBER POSSIBLY, WHICH I INTEND TO WORK ON...NONE OF MY PROPERTIES HAVE ANY SO CALLED WRITERS ATTACHED THAT SHOULD BE RECEIVING ANY FINANCIAL RENUMERATION AT THE MOMENT. I ALSO SENT YOU A DRAFT OF MY NOVEL, NOT THE FINISHED DRAFT, OF "IN PURSUIT OF DESTINY" PROVIDING A CAMEO FOR YOU PORTRAYING PRESIDENT OF THESE SO CALLED UNITED STATES. I WAS THREE QUARTERS OF THE WAY FINISHED IN WHAT I HAD HOPED WOULD BE THE FINAL DRAFT OF "IN PURSUIT OF DESTINY". AND I WAS SABOTAGED BY THE BEVERLY HILLS COURT SYSTEM ON BURTON WAY IN BEVERLY HILLS. PART OF THEIR PURPOSE IS TO SNATCH MY PENSION AND SOCIAL SECURITY, AND THESE DEVIANTS ARE CONTINUING THEIR DECEIT WHICH IS WHY I HAVE NOT BEEN ABLE TO RETURN TO CALIFORNIA AS I CONTINUE TO GET THE RUN AROUND FROM AN ALLEGED WOMAN'S SHELTER ON EAST 166TH ST. AND THIRD AVE IN THE BRONX, NEW YORK. I WAS RECENTLY ASKED VIA CHATTERING IF A WRITING TEAM COULD TURN MY ORIGINAL SCREENPLAY, A MEDIUM BUDGETED FILM, "WHEN THE DEVIL PLAYS" INTO A HIGH BUDGETED FILM. IT MAY BE A GOOD IDEA, TIME WILL TELL. BUT MY CONCERN IS DID THE WRITERS IMMEDIATELY ASSUME THAT THREE PEOPLE WOULD START GETTING PAID FOR SIMPLY WRITING ON SPEC. ALSO, ARE THEY GOING TO PROVIDE THE BUDGET, OR DOES THAT TOO HAVE TO COME OUT OF THE BUDGET FOR THE SMALLER BUDGETED FILM. AND WHY PRAY TELL, ARE THREE PERSONS, IF THEY ARE, RECEIVING COMPENSATION THE WRITERS AND INCLUDING THE NOTORIOUS AGENT. WHICH AGENT, DOES IT MATTER, REALLY? WHEN THEY ALL HAVE PRETTY MUCH THE SAME MOTIVE WHICH DOESN'T REPRESENT THE TALENT, BUT TO CREATE A SCENARIO THAT SPENDS MORE MONEY...RECALLING WHEN FRED SPECTOR CALLED ME AFTER SEEING ME ON "THE ROOKIES" FOR 20TH CENTURY FOX, SAYING, "I THINK THE MORRIS OFFICE CAN HELP YOU...AND LETTING ME KNOW THAT HE HAD A BI-RACIAL DAUGHTER, WHO I HAVE NEVER MET...COULD IT POSSIBLY BE THAT HIS BI-RACIAL DAUGHTER COULD BE JENNIFER LOPEZ AND MARTHA LOPEZ'S DAUGHTER? FRED SPECTOR ALONG WITH RON MYER WERE RESPONSIBLE FOR ME AT THE WILLIAM MORRIS OFFICE IN BH, AS PREVIOUSLY MENTIONED. HAD I BEEN THINKING WHEN HE MADE THE OFFER, SINCE I WAS BEING REPRESENTED BY CREATIVE MANAGEMENT ASSOCIATION I SHOULD HAVE ASKED, WHY ARE YOU TELLING ME ABOUT YOUR BI-RACIAL DAUGHTER...PERHAPS THE BIG AGENCIES, THOSE THAT PACKAGE, (WILLIAM MORRIS, CMA, ASHELY FAMOUS, UNITED TALENT AGENCY (CHECK OUT THE INITIALS UTA) PROVIDING THE WRITER, DIRECTOR, ACTORS-ACTRESSES, MOSTLY THEIR ABOVE THE LINE TALENT. MAKING A BASKET OF TALENT IN A MOVIE THAT REPRESENTED THE ALLEGED DECISION MAKERS, PRODUCER, DIRECTOR, LEAD ACTOR, ACTRESS ETC. THOSE WHO WERE SUPPOSEDLY GIVEN THE BIG BUCKS AS OPPOSED TO THE BELOW THE LINE, SET CREATORS, BECAUSE THEY ALLEGEDLY HAD A BUILT IN AUDIENCE AND COULD POSSIBLY BRING IN THE BIG BUCKS. HOW TRUE IS THIS IN YESTERDAY'S UNREAL WORLD. MAY I REMIND YOU THAT I HAD ATTENDED THE AMERICAN FILM INSTITUTE IN 1975 AS A SCREEN WRITING "FELLOW" LOCATED IN, (GET THIS) GREYSTONE MANSION THE NAME OF THE MANSION IN THE OLD TARZAN FILMS, WHERE I UNDERSTAND AFI'S STAFF WERE SELLING MY CREATIONS THAT I HAD COMPLETED AT THE SCHOOL, AND AGAIN MY SCREENPLAY, "A MATTER OF CHOICE" AN EARLIER VERSION WAS WHAT I HAD SUBMITTED TO GET ACCEPTED WITHOUT MY KNOWLEDGE. WHICH MAYBE THE REASON MANY YEARS LATER WHEN I WAS DRIVING IN THE AREA, DISCOVERING THAT WHERE AFI HAD ONCE STOOD, IT LOOKED AS IF IT HAD BECOME A WAR ZONE SIMILAR TO HOW YONKERS LOOKED, WHEN I WAS DRIVEN THERE BY TAXI, DRIVEN BY THE ACTOR WHO PORTRAYED "TONY SOPRANO" IN THE PAID TV LONG RUNNING SERIES, "THE SOPRANOS"... FRANCES LOVES FRANCIS IS A OMANTIC COMEDY BETWEEN A BLACK WOMAN AND A PERSIAN JEW, WITH AN ANTICIPATED FINAL REWRITE WRITTEN BY ME STARTING AT THE APPROPRIATE TIME. IN ADDITION I SHARED WITH YOU A PRIVATE OFFERING MEMORANDUM FOR MY SCREENPLAY, "FRANCES LOVES FRANCIS? THE PURPOSE WAS TO SHOW WHY YOU AND ALL YOUR PREDERCESSORS POSING AS PRESIDENTS OF THE US WITHOUT ANY OF THE NECESSARY CREDENTIAL. YOU NEVER ACKNOWLEDGED IN WRITING THAT YOU RECEIVED MY COPYRIGHTED INTELLECTUAL PROPERTIES, AND THE OFFERING MEMORANDUM, WHICH THIS ALONE , MR. O'BAMA DEFINES IN MY OPINION THAT YOU ARE A NOVICE. YOU COULD SNEAK AROUND UPSTAIRS IN THE UNIT OF ILL REPUTE ALLEGEDLY OWNED BY ALBERT'S AUNT HELEN. AS UPI WATCHED ME PREPARE THE SPINACH LINQUINI AND DICED TOMATORES FROM "TRADER JOES".